Sunday, 31 July 2011

Opeth - The Devil's Orchard


Opeth released the first single from Heritage this week, giving all of us a chance to hear the sweeping changes Mikael Åkerfeldt has been talking about these last couple of months. Before I go on, go over to Stereogum and have a listen to The Devil's Orchard.

I'll be honest, I'm not sure what to make of it. It's not the Opeth we all know and love. Less metal, more jazz-prog, lots of noodling and split-second tempo shifts. Anyone still expecting a death metal album will be sorely disappointed, I think, although those who appreciate the prog side of Opeth more than the death metal side will be more than happy. The minor chords and signature downtuned Opeth riffs are still there, albeit in a more subtly muted style. There's no way anyone could describe this track as up-beat, either musically, lyrically or stylistically.

After a few listens, it's growing on me. I think I expected something more like Harvest; prog-folk metal rather than prog-jazz twiddliness. It's going to take a few more listens, most likely along with the rest of the album, to get my head around it properly.

Friday, 22 July 2011

Insomnium announce One For Sorrow


More details about the upcoming Insomnium album have been released by the band on insomnium.net for our perusal. The album will be titled One For Sorrow, after the magpie-counting rhyme. it will feature 10 tracks, one each for each line of the rhyme. Does that make it loosely fit the definition of a concept album? I'm not sure, but I'm sure it'll be awesome. From the band's website:

Guitarist Ville Friman comments on the album title, “The name One for Sorrow comes from a traditional children’s nursery rhyme. There are ten different scenarios in the original rhyme; likewise there are ten different songs and stories on our album. I think “One for Sorrow” truly depicts what this album is all about: bereavement, grief and loss.”

Release dates are split into three; 12th October in Finland, 17th October in the rest of Europe, and 18th October in North America. There is a little signup widget on insomnium.net to let you get news of pre-orders and the like. I'm sure I will be pre-ordering as soon as it's available.

There has, of course, also been a tour announced. Only one UK date, unfortunately, which means that chances are that we won't make it. 15th of November in London for anyone fortunate enough to make it! They're being supported (as you'll know if you read the poster above) by Before The Dawn, which makes the tour all the more bittersweet. I wonder if there's a way to travel 200 miles in half an hour yet?

Dark Tranquillity - Iridium video released


Over a year after the album's initial release, Dark Tranquillity have released a video for Iridium, a particularly creepy and somewhat disquieting track from We Are The Void. It was created by guitarist Niklas Sundin and has a rather interesting animation style. It's like a cross between paper cutouts and a Flash video.

The first half of the video is fitting to the song, and I especially like the beginning of the chorus. The ending seems to lose its way a little, presenting us with a bunch of spirograph swirliness and owls, but on the whole, nicely done.

Monday, 11 July 2011

On Opethishness, and other neologisms

Opethishness is my Word Of The Day. It's used to describe musical style. It means, and I should hope this is self-evident, reminiscent of Opeth. And it is a fine adjective to have bestowed on any band, for Opeth are giants striding amidst the progressive metal crowd.


The band who have particularly earned this magnificent title today are Fornost Arnor, for their second album entitled The Death Of A Rose. Starting out deceptively soft, folky and melodic, it doesn't take long before complex acoustic riffs, clattering and battering of drums, electric guitar noodling and make-you-crap-yourself death vocals blast their way to the fore. The musicianship is tight, proficient and feels throughout the album that everything is exactly where it's supposed to be. For a self-release (albeit through their own label) this is one hell of a polished record.

One of the beauties of complex progressive metal like Fornost Arnor's, or indeed Opeth's, is that the band don't stick to a single sound. The crushing riffs come shuddering to a halt before a short melodic solo. The acoustic twists and turns of folk-inspired prog explode into death metal chugs and blasts. It keeps you on your toes, and never gets dull. Even the quiet parts, with their soft, almost gentle sound, are just a breather before the next sudden stop, sudden start, or complete change of direction. It's metal that is easy to enjoy the experience of really listening to. Progressive metal for the music lover.

If you like the sound of all this, (and let's face it, who wouldn't?) you can buy the CD straight from the band on their Witch King label for a mere £8 including postage. Or get both albums for only £12. Considering that HMV have priced up The Death Of A Rose at £10.99, there's really no excuse not to support the band directly. And buy a T-shirt. They're pretty damn cool, too.

Thursday, 7 July 2011

Amorphis - The Beginning Of Times

Possibly one of my most anticipated albums of 2011, second only to Wolverine's Communication Lost, The Beginning Of Times arrived a few weeks ago to much fanfare. Certainly the promotion of the album has been impressive, although I managed to avoid listening to any of the pre-released tracks so as to get a proper listen once it did arrive.

The fourth with singer Tomi Joutsen, and tenth in total, this marks something of a milestone for Amorphis. Once again it is based on the Kalevala, the epic poem of Finland, this time focussing on one Väinämöinen, the iconic protagonist of the tale. Apparently born from an egg, hence the album art, he is central to Finnish mythology.

The album's sound is very similar to that of Skyforger before it, prompting many to express disappointment. Skyforger was an excellent album, so following up in the same vein seems like a good idea. The vocals have been improved, thanks to training by Marco Hietala, and some interesting twiddly bits have been added in the form of some very 80s synth sounds.

The synths certainly don't fade into the background. Whenever they start I'm immediately reminded of movies of the 80s, all neon lights and wailing keyboards. They certainly give the album something of a different feel to Skyforger. When all is said and done, I can't be disappointed in this album. The songs are strong, they stick in the mind.

I'm concerned they gave away some of the better material as freebies, though. My Enemy is certainly one of my favourite tracks, and that was available for a few weeks before the album. The award for most completely surprising track is probably Crack In A Stone. It has one of the jolliest riffs I've ever heard outside of Scottish Pirate Metal, and yet still manages to fit in with the album and sound like a proper Amorphis track.

So in summary, a good album that I am enjoying listening to. It does sound a little like Skyforger Part 2, though, so if you were expecting something new and revolutionary, you might not be blown away by it. If you've never heard Skyforger, have a listen, but then go and listen to Skyforger as well! It is absolutely mandatory. I even went out and bought a copy of the Kalevala so I could try and figure out what this, and the preceding three, albums are about. It's a hefty tome, so I'll report back when I find the time!

Wolverine - In The Quiet Of Dawn


All these changes I've been wanting
Greet my morning and I'm thinking
Am I a blessed one? How did I get this far?
Could it be that I'm a changed man and that I'm finally breaking free?
Free from all of my illusions that I would never be enough.
Could it be that I'm just fine the way I've always been?
Could it be that I'm alright despite the flaws that I've seen
and lived...
I've been hiding for a lifetime,
Never wanted to be found, but
Somehow I dared to be more than I thought I was.
The life I lived in silence was my padded prison cell.
I would never find a way back as far as I could tell.
It was all so still... I was all so still...
I remember how I stumbled towards
A tranquil fate of living by the will of others.
I waited for something much more...
I waited for something much more...
I waited for something much more...
Don't live afraid...
Don't live ashamed...
Don't live in wait...
The road is yours to walk...
This post marks the end of the effective radio silence on TME. Back to the grindstone.